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New York Latino Film Festival Returns for 2023
The New York Latino Film Festival (NYLFF) is the premier Latino film event in the country. Dedicated to producing culturally relevant and entertaining experiences that help bring in audiences for Latino/Multicultural films, the festival is returning this year from September 15th to 24th, 2023, taking place at the iconic Regal Union Square Theater in the heart of New York City. It will feature an impressive lineup of 116 films from nearly 20 countries, offering a cinematic journey that spans cultures, stories, and experiences.
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Since its start in 1999, the NYLFF has been a pillar of cultural enrichment, fostering connections within the Latino film community and bringing attention to the works of talented Latino filmmakers. The festival’s mission to provide culturally relevant and entertaining experiences that amplify Latino cinema’s voices is evident in this year’s diverse array of programming.
The festival will open with the New York City premiere of “Cassandro,” a captivating film that tells the remarkable true story of a gay wrestler from El Paso who rose to international stardom. Gael Garcia Bernal’s outstanding performance in the lead role promises a captivating start to the festival. Additionally, the festival will present “Story Ave,” Aristotle Torres’ debut feature, starring Luis Guzman and Asante Blackk. Through the gripping narrative of a robbery, the film explores the unlikely connection between an MTA worker and a young graffiti artist.
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Documentary enthusiasts can look forward to “You Were My First Boyfriend,” a heartwarming tale presented by HBO Documentaries. The film follows Cecilia Aldarondo as she revisits her 1990s adolescence, capturing moments of nostalgia and growth. The festival will also showcase “Radical,” a compelling story featuring Eugenio Derbez as a teacher in a Mexican border town who embarks on an unconventional journey to unlock his students’ hidden potential.
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Music lovers will be treated to “Carlos,” a Sony Pictures Classics film that chronicles Santana’s remarkable journey from a 14-year-old street musician to a 10-time Grammy-winning global sensation, offering a glimpse into the artist’s evolution and impact.
Other special highlights in the festival include “Dumb Money,” an intriguing David vs. Goliath narrative based on the astonishing true story of individuals who transformed GameStop into a global phenomenon, and “Beat Street,” a nostalgic screening in celebration of hip-hop’s 50th anniversary, narrating the journey of a DJ and a promoter from the South Bronx.
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The festival will also commemorate the 30th anniversary of “Blood in, Blood Out,” a film rooted in the real-life experiences of poet Jimmy Santiago Baca. With a focus on step-brothers Paco and Cruz, along with their bi-racial cousin Miklo, the movie provides a compelling exploration of their intertwining lives.
In addition to these captivating films, the festival will present “Playing Sam,” “Simón,” and “Boca Chica,” offering diverse perspectives and stories from different corners of the world, including Hollywood, Miami, and the Dominican Republic.
The Futuro Digital Conference also returns to complement the cinematic experience, featuring a day-long forum spotlighting leaders and influential figures in digital content creation, distribution, and mobile technology. This conference aligns with the NYLFF’s commitment to promoting professional development within the Latino film community.
As the festival draws to a close, attendees can enjoy a free outdoor event at Washington Heights’ Quisqueya Plaza. Presented by Jim Beam, this closing event will feature live music and delicious food, providing a vibrant and celebratory conclusion to the festival.
Audiences can anticipate an array of storytelling, culture, and talent that underscores the festival’s position as a vital platform for Latino cinema. With its rich lineup of films, events, and discussions, the NYLFF continues to shine a spotlight on the diversity and creativity of Latino filmmakers while building bridges within the industry.
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